Showing posts with label singaporeans. Show all posts
Showing posts with label singaporeans. Show all posts

Tuesday, November 12, 2013

Email interview with Singaporean hobbyist-musician, "Su the Bandit"

Another email interview with a musician (these days I'm into finding out what makes creative people tick). This time I interview a fellow Singaporean Carrie Chan, who goes by the online moniker "Su the Bandit".

This interview comes five years later (an online longitudinal study of Singaporeans and their creative adventures? Heh).

I've blogged about her in my art-blog here and here. My previous musician-interview somehow led me to wonder what my musical friend was doing lately in the creative space. I emailed Carrie to ask if she would be interested in an email interview. Here it is (maybe someday her kids would find this interesting):

---

[Rambling Librarian = RL]
[Carrie]

[RL] What were the five things that have happened, musically speaking, since this 2008 interview?

[Carrie] I have:


[RL] I noticed your last post on your blog was dated 9th Aug 2011 (over two years as of this interview). Have you abandoned your blog? :) Why did you stop blogging?

[Carrie] Blogging, like songwriting, brings you back to that spot of vulnerability where you are saying something private, to heal
yourself, with no audience in mind or anyone who would like to read. If a post or song makes that connection or a reader or listener responds, that is a bonus.

I guess it takes a lot to dig deep and search yourself for the things which really matter; enough for you to express something creatively
about. Guess I've just been lazy about bringing myself to that spot of vulnerability and to dig deep to create an experience in words or
song. I used to blog or write songs late at night but lately, I crash out really early before 10 pm. Lao liao*!

(*Dialect; meaning: "old already")


[RL] Are you still making music? What are some of the new works you've done in the last two years?

[Carrie] These are the recent works:


[RL] I've always wondered if your family knows you've a blog and post music online. If the don't know, do you plan to tell them at some point? And do you see those pages as a legacy you're leaving for them?

[Carrie] Yes, they know. I've made friends through these pages, and know them in real life now. I keep it for sentimental reasons, to archive and for enabling connections - gosh, that's how I go to know you!


[RL] What keeps you busy these days?

[Carrie] After work, which takes up most of my day, I try to squeeze in some exercise - run, swim or spinning. After that, I have an hour to run through homework with the kids. Then I crash out.


[RL] What keeps you creative these days?

[Carrie] I am hardly creative these days but if the inspiration hits me, I will pick up the guitar and sing about potatoes and climbing up a volcano.

---

Thanks for this interview, Carrie. Perhaps I'm biased but I really found it a fun interview to read. Love the potato song! For someone who was initially shy about letting the world know her real name, you sure have progressed and been prolific in your online appearances (I'm still chicken about performing in public).

Incidentally, it would be awesome if Singapore TV programming had some documentary called "Singaporeans are Creative". I'm sure there are plenty of good reasons for creating such a series.


Tuesday, September 10, 2013

Interview with Singapore Indie band, Pitch Feather (Part 2)

[From Part 1]

Pitch Feather - FB page

[RL] I don't know of any other SG musicians who've done any "how to" videos. Are there more tutorials like this that the band plan to release?

[PF] We might, but no promises. =P


How To Write A Song from Pitch Feather on Vimeo

*

[RL] Says here you're a freelance recording artist since 2007 So you didn't just "pop out" on the music scene here, obviously. Have you always wanted to be a singer?

[PF] Yes! Since young, I always fantasized about being the lead singer of a band. I think I have found my voice in singing, and I feel that I’m able to express myself fully through music. Singing is like an emotional outlet for me. I’m quite a reserved person by nature, but singing allows me to be anybody I want to be for that moment.

*

[RL] And you have a bakery. Is that your day job of sorts?

[PF] You can say it’s my day job. I started Yoke Bakery about 4 years ago after I quitted my desk bound graphic design job. I didn't want to waste any of my youth. Being able to plan my own time gave me flexibility to pursue my dreams.

*

[RL] You're trained as a graphic designer? Will you be doing your album illustrations? Do you have your visual art portfolio where we can take a glimpse?

[PF] Yup, I’ll be designing our album art. In fact, some of the photographs you will see in the album are actually taken from my travels with Chuan, which made it extra meaningful.

I do not have an online design portfolio; I’ve been inactive in the design world for quite a while now. Maybe I should get back to painting or something.

*

[RL] This FB post was interesting (some one posted a fan art). What's the best thing any fan has said/ written to you? 

[PF] One of our very supportive fan shared on Facebook that “Each song is a treasure. Each song has its own charm and irresistible draw to listen again. Pitch Feather is a band of musical depth and talent that you don't find very often.” That made me cry.

*

[RL] Can you give your fans a glimpse of what songs the album would have? Please tell me Lonely Ivory Tower and Painter's Symphony will be in!

[PF] It will be a 12 track full length album. So most of the original songs we have soft-released on SoundCloud will be included (of course Lonely Ivory Tower and Painter’s Symphony will be in :)

There will be 2 brand new songs in the album that you have not heard, so do stay tuned!

*

[RL] As I listened and read the blurb of Dear Jake, I thought, "Let's do a reverse and have Pitch Feather talk about your friends". Tell us about the friends/ family/ strangers -- anyone -- you'd like to share, memorable people whom you've encountered in your musical journey.

[PF] Along our musical journey, we have collaborated with 4 guitarists in the making of this album. They have been really kind to offer their help and artistic input. It was great fun working with all of them. Each of them have a distinct style, so this album is really diverse - a mixture of different styles, and we’re really proud of it.

*

[RL] You issued a call for guitarists. How did that turn out? (I would have responded but my 'live' guitar skills are pretty sucky)

[PF] The response was really good. We had a few guitarist recommendations and eventually had the opportunity to work with Daniel Sassoon (his wife referred him haha!).

*

[RL] You mentioned that "the ride was rather bumpy" in producing Pitch Feather's debut album. How bumpy exactly?

[PF] As you might already know, Pitch Feather is mainly driven by Chuan and me. We both have to juggle running our small businesses and producing our debut album. Music is very important to the both of us, and self-producing our album is number 1 on my bucket list.

It is hard work handling almost every aspect of the musical project ourselves, from composing to recording to mixing to designing the album art and website etc. Setbacks along the way are inevitable. We try to make each of our creative output as good as possible, and sometimes that resulted in sleepless nights.

This debut album is very special because we put our hearts, blood, tears and souls into it. Also, I'm super grateful for supportive friends who have helped us along the way.

*

[RL] How old are the three of you? 

[PF] I’m 26, Chuan and Hongliang are 30.

*

[RL] Soundbites from the three of you? Well, the 2 guys anyway.

[PF] “Hi Ivan, thanks for doing the interview! Let’s meet up for coffee one day ;)” – Chuan

*

[RL] What's the most romantic thing Chuan has done for you? :)

[PF] He cooked porridge for me when I fell ill, if you consider that as romantic. Haha! He is a down-to-earth guy and shows his love through his caring ways. And that’s what I like about him. I value sincerity a lot.

*

[RL] Finally, what other things would you like to add here?

[PF] Thank you so much for this fun interview! It’s always nice to do interviews as I think they are great for self-reflection. Sometimes I can get so caught up with my goals that I forget to stop and enjoy all the things I have accomplished so far.

*

[RL] Lastly, a fact check: do I credit Pitch Feather as follows?

  • Alberta – Vocals, Keyboards, Melodica
  • Chuan – Basses, Guitars, Backing Vocals
  • Hongliang – Drums, Percussions

[PF] You can address Pitch Feather as just Alberta, Chuan and Hongliang for now. We are trying to shake off the “roles”. Being in a DIY band is pretty much being versatile – we fill in any gaps however and whenever we can. It’s important, almost necessary, to be multi-talented multi-instrumentalists. :)

*

[Ivan here] Wow, what was I doing at 26 and 30? Definitely not running my own business, let alone do that and self-produce a music album. Pitch Feather is a really talented bunch of folks. I enjoyed doing that little bit of research on the band, and especially enjoyed the smart responses from Alberta.

As I'm tidying up this blog post, the band has been off to Brisbane, Australia, to master their album.

Look forward to buying their album when it's out soon.

Go visit their official band website.

Interview with Singapore Indie band, Pitch Feather (Part 1)

I've been following a Singapore Indie band, Pitch Feather, on SoundCloud and FaceBook soon after they made their presence known in the Internet in late 2012. You might have heard of them too, when their remix of the 2013 NDP song went viral and busted their soundcloud download limit.

A few weeks ago, I got in touch with them (their lead singer, specifically) on Twitter. They were game to do an email interview.

Pitch Feather - Cover
All Rights Reserved. Pitch Feather.

I looked around the Internet to see what I can find about the band. It was soon obvious to me the band had been busy experimenting and planting themselves online (some of the social sharing platforms were new to me).

Here's what I found: MySpace | SoundClick | SoundCloud | FreeMusicArchive | Undergroundmusic | Reverbnation | Twitter | BandCamp | HeartthrobProject | LastFM | Beat100 | Soft.com | BandSoup | YouTube

Get them a Wikipedia page to complete the list!

These earlier interviews have already covered their origins: 5minutemusic.com | Pandarocketship.com | SEAindie | moshinmag.sg. Rather than cover old ground, I thought to find out more of the personalities behind the band. I had more than 20 questions. Their lead singer, Alberta, was nice enough to answer almost all.

Here's Part 1:

[Rambling Librarian = RL]
[Pitch Feather = PF, answered by Alberta]

*

[RL] Let me state what I found from your Facebook Page and published interviews:
  • You are a 3-person band: Alberta, Chuan, Hongliang.
  • Pitch Feather was formed in Nov 2011.
  • “Pitch” represents your music while “Feather” symbolises freedom. Pitch Feather is the search of freedom through your musical journey.
  • In the 2000s, before you were Pitch Feather, you were a band that played covers and called yourself "The Eggheads".

Question: why The Eggheads?

[PF] That was ages ago and I can’t exactly recall why we chose that name then. But I do vaguely remember having a requirement of having “The” in the band name because we wanted a name in that vein – we loved bands like The Beatles, The Cardigans, The Eagles, The Smashing Pumpkins. It was cool. As for “Eggheads”, I think maybe we were trying to be comical. Haha!

*

[RL] Looking at past interviews, relatively little was mentioned about the band's origin, way back to The Eggheads. So how did the three of you meet? And how did you end up forming The Eggheads?

[PF] Chuan and I met about 7 years ago through a casual jam session with mutual friends. One day, the both of us decided to form a cover band for fun, so we pulled in our guitarist friend, Roy Soh (whom we also collaborated with for two of our current original tracks - “Usual Day” and “Lonely Ivory Tower") and Hongliang on drums, who was Chuan’s friend from their teenage school days. For a short period of time, Hongliang’s then and now girlfriend, Ccube, stood in as our keyboardist.

*

[RL] How the three of you got into the music scene back then, i.e. a band playing covers. Could you do a little reminiscing about the good old days?

[PF] We were not very active in playing gigs. We wouldn't consider ourselves to be deep in the local music scene, although we did perform at random events when opportunities came. They were mostly school organised events (Hongliang was from NTU’s hall band community, so he had quite a lot of lobangs).

I remember we had the chance to perform at The Army Half Marathon. Performing in front of marathon runners was quite refreshing.

The most memorial gig we had as The Eggheads was probably at Home Club -– the legendary Joe Ng invited us over. The main highlight of that gig was a closing Metal Medley we put together, and the crowd loved it. Sweet memories.

*

[RL] What's the musical background, including mixing and sound engineering, for Pitch Feather? Any formal musical training etc.?

[PF] I’m mainly a self taught singer-songwriter. I have close to zero formal music training. At 15 I bought myself an acoustic guitar and attended a brief beginner’s guitar course that only taught basic chords, instead of music theory and individual notes.

If you talk to me about music theory, I won’t be able to say very much, to be honest. I do think theory comes in very useful when communicating ideas with musicians, and I'm still learning by the day.

Regardless, I don’t think anyone needs to be a theory expert to write good songs. Most of my musical know-how comes from feeling and intuition, probably a result of me intently listening to and studying music albums that I like since young.

Chuan’s the main guy behind the mixing knobs. You can say he’s the most technical one among us. He didn't have much formal training in music too, but his hunger for knowledge is incredible. He reads about music theory and production techniques a lot, and I give him a lot of credit for making the songs come alive. Of course, the production is still a joint effort and we still contribute ideas and comments to the mix.

Pitch Feather - In the Studio
All Rights Reserved. Pitch Feather.

*

[RL] Chuan wrote about the motivations for your adaptation of the NDP 2013 theme song. I thought it was fantastic publicity for Pitch Feather. You were featured at NewNation, mentioned at blogs like this one, even maxing out your Soundcloud download limit. What do you recall of that little episode? Did you get a sense there was a jump in the number of new fans/ mailing list subscribers?

[PF] We were really excited to see an overwhelming response to our cover. And yeah, we did gain some new fans from it, which was encouraging.

*

[RL] Did the guys appoint you as the social media manager? :) Does Pitch Feather have a social media strategy of sorts? How has the experience been, managing so many accounts, responding to fans etc.

[PF] No, actually we each have our own roles to play. For example, I manage our Twitter and SoundCloud accounts and Facebook is managed mainly by Chuan. There are no strict boundaries, though. Each one of us is free to participate in any way we like – especially on Facebook where everyone has an account. We try to engage our follower/fans as much as we can.

[NOTE: RL - Pitch Feather is very prolific on the Internet and music social media sites, as far as I can tell. A Google keyword search for "Pitchfeather" showed like a ton of stuff about your band, I went as far as 40 search results listings and stopped there. Wouldn't be surprised if there were more.]

*

[RL] Your track, Jolly Old St Nick, seem to be your first Creative Commons licensed track (I blogged about it, here) Prior to this, you've had four All Rights Reserved tracks on your SoundCloud page. What's your approach/ thinking behind licensing your music online? Or specifically, would you adopt CC licenses as a way forward? Your thoughts?

[PF] I think CC licenses are great, and we’d try to adopt CC whenever we can. For our originals, right now we still consider them to be “in production”, and wouldn't really want people to make remixes or go spread them around.

In fact, even after the songs are fully mastered and finished with production, we’d have to consider carefully we want people freely download and share, so the songs from the album are probably going to be All Rights Reserved all the way. Regardless, we still like the CC licensing system, and would try to use it whenever we can.

*

[RL] Says here you're coding your own mailing list. Who's the IT geek/ coder in the band?

[PF] Chuan. He was formally schooled as a computer engineer. He has a Bachelor’s degree with good honours from NUS, and runs a digital technology/marketing firm (Tech Plus Art) with a few of his friends.

*

[RL] Chuan seems to be a "closet rocker". I just had to point it out, since I'm partial to guitars and guitarists. LOL. What's the gear that Chuan uses?

[PF] Chuan’s a metal head at heart! He brings a lot of metal influences into our music, and that’s also probably why we sometimes sound a bit different from normal “pop-rock”. You can hear a lot of minor keys and some “metal” chord voicings here and there. We’re a little bit like The Cardigans (my favourite band of all-time, by the way) – a pop band with a subtle metal twist. The guitarist is a metal head as well.

By the way, those guitars in the picturebelong to the incredible, awe-inspiring Daniel Sassoon, whom we recently collaborated with for one of our more complicated songs that is yet to be released.

*

[RL] I get a sense the three of you seem rather private. Even though you're prolific in social media, it's rather "business like", focusing on the music. Comments?

[PF] Yup, you’re right, we’re rather private people. We enjoy being in our own private space, and don’t really crave public attention. Some people like to show off what they ate, what they did or saw on social media, and that’s cool, but that’s not who we are.

We’re also mindful of the fact that irrelevant postings may put people off. For the random things in life, we have our own personal social media accounts.

For Pitch Feather, we want to concentrate on sharing our musical creations and the production process. It’s a musical journey and we want our followers to be on it with us as much as possible.

*


[Read Part 2, here]

Tuesday, October 16, 2012

What would be the 50 objects that represent Singapore to you?

Back in September, a friend pointed me to this NYT article about a project in New York City that asked historians and museum curators to name 50 objects that could "embody the narrative of New York".

A History of New York in 50 Objects - NYTimes.com

Top of the New York list was a Mastodon tusk. The 50th item was something called a "Meng Political Sign, 2012".

The former referred to the first recorded discovery of mastodon remains in 1858, in a borough in New York city.

The latter turned out to be a political campaign poster of a Ms Grace Meng. She won the Democratic Congressional nomination in Queens borough. That tidbit was a segway to how the city's residents of Asian origin exceeded one million for the first time, as recorded in the 2010 Census.


Inspired by the British Museum's 100 Objects
That project in New York was inspired by the British Museum’s BBC radio series and book, “A History of the World in 100 Objects".

Item One on the British Museum's list was the Mummy of Hornedjitef. The 100th item was a Solar Powered Lamp and Charger.

BBC - A History of the World - About - British Museum - 100 Objects

Detractors might say that was rather presumptuous of any institution to claim that their collections definitively represented "The World's" history. Equally arguable would be that the 100th item should have been a MP3 player or Xbox (dare I say, iPhone?) rather than a solar-powered lamp and charger.

BUT...

I found the concept of a "100 objects" listing -- one that symbolically represent a certain perspective of the world -- a refreshing one. Got to give it to the Brits for such a simple and innovative way to curate and present items from their Museum's collection (notwithstanding the joke about Colonial British plundering and shipping back treasures from all around the globe).

The British Museum has also created an interactive visual browse page (Flash-based), based on time and filtering by other facets.

BBC - A History of the World - Contributor - The British Museum


People's History
The New York example wanted to make their's "a people’s history", to allow for individual perspectives rather than form a definitive list (as implied by the British example):
The “History of the World” was limited to objects in the British Museum’s collection. Like that list, ours “can only be a history” and “not the history.” And because it is a people’s history, we are inviting participation. Tell us what objects represent New York City to you in the comments section.

The New Yorkers invited public comments after an initial list from historians and museum curators. The British Museum didn't solicit public contributions it seemed.

I think to truly make it a "people's list", everyone should be given a chance to create their own right from the start.


A Singapore "100 objects" list?
The article instantly captured my imagination, since the Singapore Memory Project occupied a large part of my work time (and maybe off work too).

I wondered what a "50 objects that represent Singapore's History" would look like. I posted this on Facebook, inviting FB contacts to also name 50 objects they consider to be representative of Singapore's history.

What "A history of Singapore in 50 objects" might look like

Didn't get very far with that. For what it's worth here's the list, thanks to the contributions from some FB friends (objects are not in any order of importance):
  1. Ivan Chew - Rubber seed (I'm thinking of Sir Henry Nicholas Ridley)
  2. Walter Lim - A pair of spectacles since we're the most bespectacled nation in the world.
  3. Chon Hsing Ng - Air conditioner to symbolise how SG has had to artificially creates my things eg beach, jungle, water, etc
  4. Low Hei Chin - Four stones.
  5. Hikaru Teo - the rediffusion tabletop radio
  6. Dex Khor - A rotan.
  7. Bernadette Daly-Swanson - Definitely Pierre Balmain's iconic kebaya and sarong for SIA... Had one made when I was there in 2009. I need to come back for IFLA!
  8. Ivan Chew - Adrian Tan's Teenage Textbook
  9. Adrian Tan - Chicken rice
  10. Dex Khor - The Ultimax 100 SAW. Sold to Bosnia with pride!
  11. Alec Ng - Add the merlion...
  12. (Alec Ng)... newater
  13. (Alec Ng)... and the document on the proclamation of independence for Singapore.
  14. Bernadette Daly-Swanson - National Library Board Singapore
  15. Ivan Chew - Sintercom
  16. Low Hei Chin - ... Stamps and coins from that represent significant events / moments in our history? First day covers? I can only think of dinky toys or toy soldiers (Deetail) that depict WWII.
  17. Hikaru Teo - Well the banana note would be a notable representation of life during the Japanese Occupation.
  18. Ivan Chew - The POSB logo!
  19. Regina De Rozario - I've just gotten into reading excerpts and commentaries on the correspondence between Raffles and Farquhar and I would add the letter written by Farquhar after he was dismissed by Raffles (for not following the latter's town plan and vision to a T).
  20. Low Hei Chin - Our national flower!
  21. Ivan Chew - The Tembusu tree. Cos it appears on our $5 note.
  22. Ivan Chew - Teamy the Productivity Bee.
  23. Ivan Chew - Singa the Courtesy Lion.
  24. Ivan Chew - The SAF Reservist Booklet (now defunct).
  25. Low Hei Chin - Singapore Sling

Ok, 25 items isn't bad. Some items were totally off my consciousness until others mentioned it. Like the Singapore-made Ultimax 100 Section Assault Weapon (SAW).

Some objects -- like the 'rotan' (i.e. cane) -- encapsulates so many things past and present: parental methods in bringing up children, school discipline, criminal code and the penal system, a national event (remember Michael Fay?).

I'm sure each of us can come up with our own list of 50 items. Or at least 20 items easily.

New items would make it to the list, as per recent events. I can think of Amy Cheong. Ok, technically not an "object" (I'm sure you know I didn't mean to say she's an object) but what the heck, it's a 'people's list'. We could flexibly cover Events, People, Places in the same list or separately if we choose.

If there's a representative number of people creating such a list, what I'm really, really interested is to analyse the choice of items on the combined list. The list could reflect the success of certain national brands or campaigns. Missing items might shed light on what else we might need to do (e.g. what if no artwork or artist make it to anyone's list?)

Analysing an aggregation of lists might reveal the psyche of individual citizens. And quite likely our psyche as a nation.

***
Update - New items to the list:

[18 Oct 2012, items 26-29]
26. Low Hei Chin - Meant to write this earlier but did not get around to doing it. How about those khong Guan biscuits with a colorful icing sugar on top?

27. Adrian Tan - I wanted to say, "Kelong!" I think it is unique to Singapore.

28. Peter Pak - Interesting read- can I add Singapore Chinese girls school as an one. It was the first girl school at a time when more forward looking men wanted to reform the social education of girls beyond being home bound

29. @JustinZhuang - Anti-Littering man!

[19 Oct 2012, items 30-32]
30. Dave Chua - I think it's also important to pick out items that show key moments of Singapore in transition. The last copy of the original New Nation newspaper...

31. ...A citizen pass for the casinos.

32. ... WP 2012 flag.

(Folks, feel free to add to the list by commenting. Even if it exceeds 50)

Tuesday, August 09, 2011

Celebrating Singaporeana: Happy 46th

In my friend Lucian's post, he admitted having the sort of prejudice some Singaporeans might have towards things made or achieved by Singaporeans:
It is true that for some obscure reason, Singaporeans look down on other Singaporeans. “Made in America” comes with the notion that the product is heavy-duty; “made in Japan”, quality; “made in the UK”, quaint. But when you talk about something that is “made in Singapore”, it is always the Singaporeans who’ll be first in line to pull it down. You’ll often hear things like “trying too hard to be [insert name of western country]” or “cannot make it”. Best of all, these criticisms are uttered by the ones who’ve never had the guts to even try.

I know, because I’m guilty of it.
(Btw the context of his post was Inch Chua's Open Letter to Singapore; her facebook post has been removed but you can read a repost here).

Lucian's admission struck a chord with me. I, too, displayed a similar sort of prejudice a few weeks earlier.

I was reading a book containing stories written by Singaporeans. The title of the book isn't the point. The point was my unconscious judgement, comparing those stories with my favourite non-Singaporean authors. I felt the "made in Singapore" stories were not "good enough".

On one hand, I desperately wanted to like the stories. On the other, I wanted to admit the stories didn't appeal to me. I even tried to rationalise why those stories weren't appealing to my tastes. My reasoning came up short.

I was torn between wanting the stories to be great, and having to acknowledge they were not.

Then I realised something else.

Even though I would not consider those stories to be 'great', I had managed to read the entire book from cover to cover. I read every single story. That was already an achievement. There have been contemporary best-selling authors whose works I can never read past chapter one, or less.

Once I got past my mental literary-hang up, it was easy to see what else was good about those stories. They were technically competent. There were no glaring spelling or grammatical errors. The story ideas may not have made me go "wow" (actually, very few stories can) but they were not run-of-the-mill ones. It was clear the authors put in what they were worth, and not out to insult the intelligence of the reader.

I also realised I didn't have to like every single story in that "made by Singaporeans" book.

Perhaps this sort of reader reaction is part of the literary territory. We all have our personal yardsticks against what we consider as 'best'. And I think it's healthy to compare, so that there's some specific literary target to aim for.

However, I think we Singaporean readers have to be mindful not to confuse "setting a goal" with "expecting every Singaporean author to write like [insert name of your favorite author]".

Another friend of mine is fond of saying, "Don't celebrate mediocrity".

I agree.

I'm not suggesting we endorse or embrace, by default, everything "made in Singapore" or "by Singaporeans". If the works are shoddy, we should say so. But I believe we should not impose undue expectations or comparisons. Enjoy the work -- a play, music, a piece of creative fiction -- for what they are worth.

We should not confuse "not being unique" with "not good".

If we have a flower that smells like a rose, it's OK to compare with another blossom in the next yard. But let's not forget: that very flower, grown in our garden, still smells sweet.

Happy 46th, Singapore.

Wednesday, May 26, 2010

The late Dr. Goh Keng Swee and I (part 2) - National Service

This post, as with the previous one, may seem unabashedly about me and not the late Dr. Goh Keng Swee. Quite unintended, really.

I don't know Dr. Goh Keng Swee personally. Yet much of what he was directly involved had a direct influence in my development as a Singaporean.

This post is about one other great foundation that Dr. Goh laid down for generations of Singaporeans -- National Service (NS).


A GREAT SACRIFICE
I do not entertain any romantic notions about military service.

No way would I want to repeat my two-and-a-half years full-time stint and the subsequent 13-year 'reservist' cycle of NS, in the Army.

And yet I truly and deeply believe I would be a lesser person if not for NS.

"National service imposes not only a great sacrifice of time and money on the young men called up. It is also unpleasant as military training aims to push the soldier to the limits of human endurance. Yet in every election since national service was introduced, its abolition has never been an election issue.

...The average Singapore citizen knows the dangers that he faces are real and not hypothetical. A kind of folk wisdom has grown on the need to defend ourselves.

... Having said this, while we must prepare for war to keep the peace, we must not get paranoid about this. The worst policy is to arm ourselves to the point where our neighbours misread our intentions. We are not Israel and South-east Asia is not the Middle East."
- Dr. Goh Keng Swee. Sept 25, 1984 (as cited in The Straits Times, May 18, 2010).

I feel war is a great economic and social waste. But I also accept that defence spending, for deterrence, is a human necessity.

At a personal level, there's a confidence that comes from knowing how to handle a basic infantry assault rifle. At the societal level, NS is a modern-day rite of passage.

But what NS really gave me was an education that formal schooling could never impart.


A DIFFERENT SORT OF EDUCATION
In the army, I experienced first hand that street savvy-ness, human decency and intellect has no direct correlation to education and economic backgrounds.

In the confines of army rules and regulations, between the whims of sargents and officers, I got to know -- and learned how to live with -- people whom I would never have been exposed to in my civilian life.


FROM ALL WALKS OF LIFE
In civilian life, you can choose your friends or acquaintances. Or, you could avoid them. In the army, you have a lot less say in who you're assigned to work with.

Some of the people I met were real rough in language and behaviour. Now, I'm no prude and I've heard swearing and have been known to swear as well. The difference was that when those other people swore and cursed, they sounded like they meant it. Very intimidating for a person like me, who grew up relatively sheltered from these rough and tumble manners.

And yet once I got to know them, I enjoyed their company. There isn't any secret to it. Treat other people decently, they are likely to show the same to you.

Of course, the rule that "anyone can be an a**" holds true. I don't have misplaced notions that all 'rough and tumble folks' are nice people. Some are just plain mean on their inside as well as outside. As I said, there's no correlation between education and economic background and whether one acts decently or not.


UPGRADING MYSELF
Beyond the basic necessities the army provided, anything else was what I made do with it. The lesson was that I should not leave my own future to "other people".

Before I went into NS, I naively thought that obtaining a diploma was good enough. I didn't think taking up a degree course was necessary.

It was NS that made me realise I had to better myself.

Nearer the end of my full-time stint, I heard some of my peers boast of how they were going overseas to study. They spoke of grand career plans after getting a job with their degree.

I didn't think I was any less capable than them. Yet the stark reality was without equal qualifications, they would likely to be my bosses (also, I'd like to restate that some people would just be a**holes no matter what, heh).

That realisation strengthened my resolve to upgrade myself. I found my way to a degree programme. That degree eventually landed me in librarianship. Would never have become a librarian if I had not started down that path, I guess.


A CORPORAL WHO LED SINGAPORE'S ARMED FORCES
From The Straits Times, Saturday Special Report, May 15, 2010. "Corporal who built an army" by Goh Chin Lian:
What he knew of military affairs then was learnt only as a corporal in the British-led Singapore Volunteer Corps, but he rose to the challenge of building up Singapore's defence, one which people at that time did not think was possible.

He took a decade to accomplish his mission. From August 1965 to August 1967, he headed the Ministry of Interior and Defence which also handled Home Affairs.

His initial plan was to build up a regular army of 12 battalions between 1966 and 1969. Minister Mentor Lee Kuan Yew said in his memoirs that as the Prime Minister, he disagreed and proposed a small, standing army with the capacity to mobilise the whole civilian population, who should be trained and put in the reserves.

The revised plan gave the blueprint for today's national service and SAF - mobilising a large part of the population, while keeping regular forces at 12 battalions.


UNDERSTANDING LOSS, CHERISHING FREEDOM
During my Basic Military Training, one of my platoon mate remarked that the army stint was no different from his jail time. He should know what he's talking about. He had been in and out of Juvenile reformatory several times.

What he said was true in many ways, when I think about it. As a conscripted soldier, you could not quit from the Army. Your personal freedoms wasn't exactly curtailed, but there were restrictions whenever you put on that uniform.

Here's where I'll allow a romantic indulgence about NS: one does not really know what is freedom, until one experiences its absence.

It may not have been the primary intent, of the late Dr. Goh, for NS to be a social leveler or to serve as a "school beyond school".

But the way I experienced it, NS was more about defence. It was an education in itself.

Thank you, Sir.


More references:

Monday, May 17, 2010

The late Dr. Goh Keng Swee and I (part 1)

No, I do not know the late Dr. Goh Keng Swee personally.

But after the past few day's stories and commentaries in the The Straits Times, I now have a deeper appreciation of just how much his vision and work has influence my life. Dare I say, a stronger connection to him than before.

Goh Keng Swee
NLB Call No. 959.5704092 TAN (SINGAPORE Collection)
LINK

NO PERSONAL CONNECTION, UNTIL NOW
Initially, what I did know of Dr. Goh was from The Singapore Story: Memoirs of Lee Kuan Yew. From the book, it was clear that Dr. Goh was one of the Old Guards, who were the architects of post-Independence Singapore.

The connection went as far as that, however. He was of an earlier generation of leaders, from a time before I was born. And when I was mature enough to know who he was, he was someone far beyond my ken. I could not really relate to Dr. Goh, the man, and did not think I ever will.

But maybe time, and biological age, has a way of making one see links that were previously beneath one's consciousness.

Of the many ministerial portfolios undertaken by the late Dr. Goh, two things stood out for me now: Education and Defence.

Here's part 1, about Education. Specifically, I'll talk about the now defunct Religious Knowledge curriculum that Dr. Goh introduced in the early '80s.

RELIGIOUS STUDIES IN SECONDARY SCHOOLS
From The Straits Times, Saturday Special Report, May 15, 2010. "Shaking up the Education Ministry" by Susan Long & Ho Ai Li:
(Dr. Goh Keng Swee) long believed that religion was a systematic way to inculcate values, temper Singaporeans' individualism and build social cohesion. In 1982, he introduced religious knowledge to the secondary school curriculum, in spite of widespread reservations that this would lead to overzealous proselytising.

But barely seven years after Christianity, Buddhism, Hinduism, Islam and Confucian ethics classes were offered, they were phased out because of a 'heightened consciousness of religious differences and a new fervour in the propagation of religious beliefs'.

...'The rationale to develop the student's character was good, but implementation was difficult. Since then, the MOE has never brought up religious education again.'

They still had Religious Studies when I was in Secondary school, which was about two decades ago. It was only now that I'm making the connection that what I went through in school arose from the late Dr. Goh's policy.

I remembered having to choose a 'religion', so to speak. I did not have a religion then (I still don't have one now).

Students could opt for "Buddhist Studies", "Bible Studies", "Confucian Ethics", "Islamic Religious Knowledge", and "Sikh Studies". I chose Buddhist Studies because it was the closest religion I had been exposed to as a child (my grandmother was Buddhist).

BUDDHIST STUDIES
From my classes, I learned of the origins of Buddhism. I remember being struck by the very profound and simple observation that "Life is Suffering", meaning: life and suffering is very much intertwined.

My young and impressionable mind was also introduced to concepts like "cause and effect", "mindfulness", "compassion" and how desire was often the root cause of greed, anger, and suffering.

When I learned of something called the Five Precepts, I remember thinking they sounded rather similar to what I vaguely knew of Christianity's Ten Commandments (e.g. "thou shall not kill", "thou shall not commit adultery").

FAILURE?
MOE decided to terminate the Religious Knowledge curriculum. The failure was in the implementation, as reported.
The programme proved divisive because students studied only one of the religions. Some quarters felt the teachers were not adequately trained, while others used the classes to promote their faiths.
Source: Fri, Sep 18, 2009. "Best not to bring back religious classes in schools" by Tan Hui Yee". The Straits Times.

There were problems, for sure. Even back then, when I wasn't too aware of what was happening or the intent of the classes, it was clear to me that religious lines became more apparent.

My peers who were Christian/ Muslims/ Taoists/ Hindus took up classes that were closest to their religion of their upbringing. Come Religious Studies period, the 40 plus students in each class would break out to different classes, to attend their respective religious studies class.

Now that I have two decades of hindsight, what do I think of this the late Dr. Goh's "Religious Knowledge in Secondary Schools" policy?

I think he was right.

Let me put in more specific terms: Dr. Goh's vision IS still a right one. Its implementation might not have been perfect, but I can attest to positive outcomes for myself.


TIME TO RE-VISIT?
Till today, I remain a Free-thinker. Admittedly, I'm partial to some Buddhist philosophies. But that does not make me a Buddhist any more than believing in the "Thou shall not kill" commandment would make me a Christian.

My Religious Studies class teacher wasn't a Buddhist either, as I remembered. It might seem that the non-partisan educator is the key to making Religious Studies work.

I did not have less friends or make enemies because they were of different religions and chose different Religious Studies classes. We accepted that we had different paths to take -- and come to think of it, all positive religions preached the same positive values anyway.

While I hated the need to regurgitate and exhorts by my teacher to memorise the Five Precepts, thanks to my Buddhist Studies classes I dare say I am who I am because of those foundation years. I was made more aware of positive values of being a good person.

Perhaps MOE should re-consider and revisit the late Dr. Goh's vision of religious knowledge in schools. I'm not the first to make a similar call either (see section on "Religious Knowledge"; MOE's parliamentary replies, 9 Mar 2005).

Mind you, it's "knowledge" and not "indoctrination".

Rather than let students choose their particular religious topic, there should only be one common curriculum, comprising of the major religions in Singapore. An "Inter-Religious Knowledge Studies" curriculum. Again, emphasis on "knowledge" and not "indoctrination".

We already have the Inter-Religious Organisation, Singapore (IRO). A "Inter-Religious Knowledge Studies" curriculum would aim to promote mutual respect, understanding and exposure of ideas to the different faiths. All students would learn of what the major religions in Singapore represent, perhaps clarifying certain misconceptions in the process.

Yes, it will be a ultra-sensitive topic to introduce in schools. Carry it out badly and we will scar entire generations. Still, the same could be said about education as a whole, right?

Now if done well (and we Singaporeans have a track record for doing things well too), it will mean a generation who goes beyond "religious tolerance" to "religious understanding and acceptance.


THANK YOU, DR. GOH
To the late Dr. Goh, I thank you.

Particularly for introducing Religious Knowledge when I was in Secondary School.

I may not be the best person that I can be now (it's my excuse for being human). But I am certainly mindful about a lot of things -- particularly about being human.


[Next: Part 2 - Dr. Goh and National Service]

Monday, February 11, 2008

Speaking at USF (Part 4): My 72-year old cousin's blog

Yeah.

72-year old cousin.

Mine.

It's not a typo.

I've a cousin about half my age. We only discovered each other recently. There's a pretty interesting story behind this, which I'll let my cousin Philip blog about in his blog.

Later.

For now, here's his first post.
NOSTALGIA: Childhood
This is my first blog after much encouragement by my cousin Ivan Chew. I notice that most blogs are by young people. I am already 72 years old and my cousin is less than half my age. Anyway, there must always be a start and here I am Ivan! To begin with I like to talk about my primary school days.
I asked Philip if he intended to continue blogging, now that he's tried his hand at it.

He said he intended to blog as long as he can. So far he found it quite challenging, as it's not just about the recollection of his memories but also to research and get his facts right.

No, cousin Philip isn't a librarian. LOL!

And no, I didn't ask him to start a blog because I was going to give a talk at USF. I felt he has something worth sharing, so I encouraged him to try it out. We were digging about for some family history.

He declined at first (to start a blog), but later discovered a few inaccuracies (about a family member) reported in some other websites and posts. So starting his own blog was his way of attempting to correct those errors.

I won't give away the story for now (it may be an anti-climax to you, for all I know). I'll see if Philip has more things to share, so that I can mention it at my USF talk.

Over to you, Philip!

[See Part 3 and Part 5]

Monday, December 03, 2007

Music of Reuben Kee, 1984 - 2007

[First posted at SeaStars2007]

I first learned about this young man's music from Jean's blog post.

singapore4Reuben Kee was one of the five dragon boaters who died in the accident. See articles from The Straits Times and Channelnewsasia (the Facebook group mentioned in the ST article can be found here).

He's a talented musician as well.

I liked what I heard.

See:
Wonder if the site would be maintained. If not, his music ought to be hosted in a service like Archive.org.
[UPDATE: I've emailed the owner of the Facebook group -- presumably one of Reuben's close friend -- with pointers on saving his music on Archive.org]

In an email to some of my friends, I wrote that it's sad that his talents weren't recognised until his death. But I realised I was very wrong to have written that.

Reuben Kee's musical talent was probably widely recognised among his friends. And I'm sure he's delighted people with his compositions.

And in death, his music still delights.

The music lives on, if not the memory of the musician.

Hmm...

I'm glad Adrian and I are doing this music album.

Gaining fame and fortune -- those are the least of our objectives.

Creating happiness is.

Saturday, November 24, 2007

Singaporean one of Businessweek's nominee for Asia's Young Entrepreneurs

I don't know Paddy Tan personally. I heard about him when Kevin posted this video interview in Oct '07.

Only recently did I have a chance to email him. Well, if you consider a short note in a mailing list to say "Congrats". I'd learned he's one of Businessweek's nominee for Asia's Young Entrepreneurs.

You can find out more about Paddy, where he shares his secrets to success (via entrepreneur.com.sg) , and the story behind his starting of his business (via sgentrepreneurs.com).

Paddy has a blog at tomato75.blogspot.com.

In the email list, Paddy shared that at 32 years old, he seemed to be the oldest nominee.

Voting for nominees is at this page.